7/31/12

the only round-headed person in the Pointed Village, where by law everyone and everything had to have a point










stu kennedy riding a "unique" daniel thompson surfboard.

thanks to Harry Nilsson & hydrodynamica


just 2 of the moronic comments from us open july 31

"the board would maybe score a bit better if it had a point on the nose"

"aesthetically , for me it doesn't do it. maybe if it had a point"



below positive comments and surfing from Monday July 30.

http://hydrodynamica.blogspot.com/2012/07/nike-us-open-of-surfing-heat-11-round.html




via
http://dantomo.blogspot.com/



Johnny Thunders - So Alone (1978)


I like the early New York Dolls, but I wasn't a massive fan, they were just a decent band imo. On the other hand i was a huge fan of The Heartbreakers and Johnny Thunders; this is his first solo release and something he never managed to better, again imo. The line up who played on this record is just a who's who of artists I love: -
  • Steve Jones and Paul Cook of the Pistols.
  • Paul Gray and Steve Nicol - Eddie and the Hot Rods
  • Chrissie Hynde - The Pretenders
  • Phil Lynott - Thin Lizzy (yep....I love them)
  • Steve Marriott -Small Faces 
  • Patti Palladin - Snatch
  • Walter Lure and Billy Rath - The Heartbreakers
  • Peter Perrett and Mike Kellie - The Only Ones
  • Steve Lillywhite - producer extraordinaire
This was recorded after the Heartbreakers split due to pressures from recording LAMF. I'd be hard pushed to pick between the two albums; LAMF is straight ahead punk/rock album, while this is Thunders in a more relaxed mode. It's a great, great album.

I got to see Thunders quite a few times, and the Heartbreakers, and he was mostly good to great, but the last time I saw him playing has left a bad memory as he was completely wasted, missing chords, forgetting lyrics and playing for far too short a time. Sad really.

It's 20 years this month since he died/was murdered...who knows, I guess we never will.

RIP Mr Genzale and many thanks for the great music.

Mediafire

haze



cat chase bird



7/29/12

The Durutti Column - The Return Of The Durutti Column (Factoy Once Remaster) (1979 - 1996)



Artist: The Durutti Column
Album: The Return Of The Durutti Column (Factoy Once Remaster)
Label: Factory Once/London Records
Year: 1979 -1996

 Tracklist:

01 - Sketch For Summer
02 - Requiem For A Father
03 - Katherine
04 - Conduct
05 - Beginning
06 - Jazz
07 - Skecth For Winter
08 - Collette
09 - In 'D'
10 - Lips That Would Kiss
11 - Madeleine
12 - First Aspect Of The Same Thing
13 - Second Aspect Of The same Thing
14 - Sleep Will Come
15 - Experiment In Fifth



wooden square going fast on film


Mikey
By Adam
http://bhbsurf.com/

7/28/12

go to...to see...good...moo...V






go to...to see...moo...V
http://dolphinenvy.blogspot.com/2012/07/apocalyptic-pits-from-belly-of-beast.html

forest lawn golden morning



Leica V-Lux 2

The Paris Sisters - Anthology


The Paris Sisters bridged the gap separating the traditional vocal pop of the post-World War II era from the equally generation-defining girl group sound that emerged in the wake of rock & roll. By the 1961 release of their Phil Spector-produced breakthrough "I Love How You Love Me," the siblings were already longtime veterans of the music business. Albeth (the oldest), Sherrell (the middle child), and Priscilla Paris (the baby) were born and raised in San Francisco. Their mother, Faye, was the quintessential stage parent, a former opera singer who continued her career vicariously through her children. The Paris Sisters got their start singing and dancing at local Air Force showcases, and circa 1953 they made their recorded debut with a pair of singles for the tiny Cavalier label: "The Bully, Bully Man" (a tie-in with local radio personality Red Blanchard) and the seasonal effort "Christmas in My Home Town." In 1954, their mother engineered a backstage visit during an Andrews Sisters performance at the Warfield Theater, and the trio was so impressed by the Paris siblings' uncanny imitations of their hits that they were invited on-stage for encore performances of the canteen classics "Rum and Coca Cola" and "Beer Barrel Polka." An MCA Records executive in the audience signed the Paris Sisters to the label's Decca imprint immediately thereafter, and the single "Ooh La La" appeared by year's end.




Despite the snowballing popularity of rock & roll, the Paris Sisters' early Decca efforts adhered to the increasingly old-fashioned vocal harmony approach popularized by the Andrews Sisters and the McGuire Sisters. As a result, singles like 1955's "Huckleberry Pie," "Give Me a Band and My Baby" (a collaboration with crooner Bing Crosby's son Gary), and "Truly" earned little notice from radio programmers. Although their records fared poorly, the Paris Sisters toured relentlessly, appearing at county fairs, USO showcases, and even in Las Vegas, casino performances made possible with the aid of falsified birth certificates, makeup, and padded bras. After their seventh Decca single, 1956's "Daughter, Daughter," the label terminated the Paris Sisters' contract, and the siblings signed with Imperial to release 1957's "Old Enough to Cry," quickly followed by "My Original Love." Imperial opted to cut its losses then and there, and the Paris girls did not make another record for four years. When they finally resurfaced on Lester Sill's fledgling Gregmark label in 1961, the impresario insisted on a top-to-bottom overhaul of their approach, tapping up-and-coming producer Phil Spector to shepherd the transformation. Spector relegated Albeth and Sherrell to the background, and while he turned the spotlight on Priscilla, he insisted she dial back her powerful voice to a dusky whisper.

While the Paris Sisters' Gregmark debut, "Be My Boy," earned little notice, the follow-up, "I Love How You Love Me," cracked the U.S. Top Five, galvanized by Priscilla's intimate lead turn and Spector's atypically restrained production. After the 1962 singles "He Knows I Love Him Too Much" and "What Am I to Do" also generated positive response at radio and retail, Spector began work on a Paris Sisters LP, but as production costs began to skyrocket, Sill attempted to exert control of the project. Their skirmish ended disastrously when, according to Sill, one of his assistants accidentally discarded the master tapes, although rumors persist of a far more nefarious outcome. Either way the Paris Sisters suffered the most damage, and while their relationship with Sill disintegrated under the threat of litigation, the siblings did not make another record until 1964, signing with MGM to cut a cover of the Bobby Darin smash "Dream Lover" overseen by Spector's erstwhile arranger Jack Nitzsche. After a pair of singles for Mercury, "When I Fall in Love" and "Always Waitin'," the Paris Sisters recorded the 1966 Unifilms LP Sing from "The Glass House", a soundtrack LP to a failed television series. That same year they signed to Reprise, which paired them with Nitzsche and production partner Jimmy Bowen -- though a commercial failure, the Paris Sisters' 1967 Reprise LP Everything Under the Sun!!! remains an unsung classic of the waning girl group era, featuring several original songs written by Priscilla herself.
Not surprisingly, Priscilla released her debut solo single, "He Noticed Me," on the York label shortly after Everything Under the Sun!!! belly-flopped. The solo LP Priscilla Sings Herself soon followed, and she closed out 1967 with Priscilla Sings Billy, a tribute to jazz immortal Billie Holiday. The Paris Sisters reunited the following year to release "Stark Naked Clown" on the GNP Crescendo imprint. "Golden Days," a 1968 one-off for Capitol, proved to be the siblings' swan song. While Albeth gradually moved behind the scenes into television production and public relations work, Sherrell formed her own group, Sherrell Paris & the Now People, touring nightclubs for several years before joining the staff of Mark Goodman-Bill Todman Productions and spending more than two decades as the personal assistant of The Price Is Right host Bob Barker. Priscilla eventually relocated to London before settling in Paris, France, where she lived for a quarter century. After a 1978 solo LP, Love Is..., she suffered an accident resulting in partial facial paralysis, effectively ending her music career for a number of years. By the 1990s Priscilla was again playing the occasional Parisian club date, and in the spring of 2002 she returned to the U.S. for a proposed Paris Sisters reunion concert. Sadly, the show was aborted after the 18-hour flight left her too exhausted to perform. Priscilla died on March 5, 2004, from injuries suffered in a fall at her home. She was 59...  ~  Jason Ankeny

http://www.mediafire.com/?5zmmmdoudli

Jerry Orbach and Claudine


 https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAc2xN1CZlhMKwjPxI0ckR_d1IL-7-5Jar8xcziDHkBfFyIxRkXhcoM0_n-E-cKX45qh5PXdpGo7eZuExbM2nWJMBGlVn3KB5mdnD4-8R_ZO3zmQbD-i168sEcTLFToO1PKwW89w/s1600-r/JerryOrbach.jpg





Jerry's Blogspot
http://creepscanner.blogspot.com/2011/04/claudine-longet-look-of-love.html

Claudine Longet-The Look of Love

Hard to believe that this pretty little waif was convicted of blowing away her Olympic skier boyfriend. I've always had a thing for girls with an edge, but Claudine might just have a bit too much. Despite her easy wielding of the fire arms, she recorded some truly saccharine pop that is some of the sweetest aural confectionery mine ears have heard. And nearly all of her records can be had for a dollar or so. That means your local goodwill is likely to have several copies of this. But since you're lazy and cheap you can just download it

7/26/12

Paddle the LA River



 SOLD OUT


Tickets went on sale  TUESDAY, JULY 17  for guided kayak tours of the Los Angeles River in Sepulveda Basin.  THE ENTIRE SEASON SOLD OUT IN TWO DAYS.
It is possible that rain make-up dates may be released for sale if they are not used.
The website for the program is: www.paddlethelariver.org
You may follow the program on Facebook at http://www.facebook.com/PaddleTheLARiver
You may follow the program on Twitter at @PaddleLARiver
A map of the kayak route can be viewed HERE.
The first rides will run starting on Saturday, July 21.  The 2012 season will last ten weeks until Saturday, September 29.
Run times will be 7AM (full trip $50), 10:30AM (full trip $50), and 1:30PM (shorter path $25) on tour days.
The Paddle the LA River program represents the collective efforts of several environmental organizations uniting to enhance public perception about the Los Angeles River.  By paddling this scenic stretch, people experience first-hand that our urban River is part of an ecosystem that is both beautiful and significant to Los Angeles’ past and future.  Thanks to our partners: Los Angeles Conservation Corps, Mountains Recreation & Conservation Authority, Urban Semillas, and The River Project, as well as The City of Los Angeles and The US Army Corps of Engineers


http://folar.org/

1965 Krupa

7/24/12

kraut love


Ewan MacColl's "The First Time Ever I Saw Your Face"



"The First Time Ever I Saw Your Face" is a 1957 folk song written by British political singer/songwriter Ewan MacColl for Peggy Seeger, who was later to become his wife. At the time the couple were lovers, although MacColl was married to someone else. MacColl and Seeger included the song in their repertoire when performing in folk clubs around Britain. During the 1960s, it was recorded by various folk singers and became a major international hit for Roberta Flack in 1972.

many more and text below....

http://compvid101.blogspot.com/2009/04/ewan-maccolls-first-time-ever-i-saw.html

i'm too lazy.






best version IS Roberta.

other good ones, influence by hers....

Lp to have is Roberta Flack's "First Take"

7/23/12

straight from the horse's mouth




Big Star drummer Jody Stephens sat down with the Memphis Music Foundation to discuss the release of the latest Big Star box set Keep and Eye on the Sky, as well as Chris Bell's I Am the Cosmos.

straight from the horse's mouth origin

thank you freinds

ardent-story.jpg
Ardent Records - all the way from Memphis. Whereas the bluff city will be forever known for its huge impact on soul, r&b, and the very roots of what became known as rock & roll, for many of us the label/studio had an additional/seminal impact: its lasting influence on (insert the bands you love here). Personally, thinking about my own record collection, some of my most treasured albums over the last two-plus decades owe a huge debt to the label’s Big Star alone. And I would imagine — whether you’re aware of it or not — yours does as well.
While Big Star have been, and will forever remain, the flagship Ardent group, Thank You Friends :: The Ardent Records Story sets out to tell the story of the label, studio, and its surrounding culture. And in doing so, over the course of two discs, succeeds. Yes, the demos/outtakes from Big Star, Alex Chilton and Chris Bell ultimately justify the purchase, but it’s the other artists included included in the compilation that fill in the blanks. Rarely (if ever) does art exist in a vacuum, and the Memphis scene during the late ’60s and ’70s was no exception. Bands like Rock City, Cargoe and Lawson & 4 More also carry the Badfinger torch – through an albeit Southern lens – expertly mixing power-pop, molasses and Southern garage rock. Highly, highly recommended.
Related: Garage Rock Tales :: Memphis, TN

Download:
MP3: Big Star :: Back of A Car (demo)
MP3: Rock City :: Lovely Lady
————-
Amazon: Thank You Friends: The Ardent Records Story



http://www.aquariumdrunkard.com/2009/01/23/thank-you-friends-the-ardent-records-story/

7/22/12

Young Holt Unlimited - Superfly







YOUNG HOLT UNLIMITEDPlays Superfly

Young and Holt lay down grooves from Curtis Mayfield's Superfly soundtrack ion this Paula records release (and all the good ones too -- like "Freddie's Dead", "Give Me Your Love", "Pusher Man", and "Superfly"), and they also get into some funky tracks of their own (like "Hey Pancho" and "Mystical Man"), and do a tight cover of "People Make the World Go Round" that was used by Compton's Most Wanted for "Raised in Compton"

The album's nice and stripped down -- perhaps closest to their Oh Girl LP on Atlantic... in feel, with loads of cool electric piano by Ken Chaney, laid out over the group's harder funky grooves!





...

do you realize live

7/21/12




...


another Sylvia Robinson masterpiece.....






"Love on a Two-Way Street" is a Soul ballad written by Sylvia Robinson and Bert Keyes in 1968. The song was originally recorded by Lezli Valentine, an artist signed to All Platinum, the record label that Sylvia Robinson co-owned with her husband, Joe. The song was then recorded by The Moments, an R&B vocal group signed to All Platinum subsidiary Stang Records, as filler for their 1968 album Not on the Outside, But on the Inside, Strong!. Sylvia and Joe decided to release the song as a single in March 1970 and it went on to become one of the biggest R&B hits of that year, spending five weeks at number one on Billboard's Soul Singles chart and reaching number three on the Hot 100 chart.[1] It was also certified gold by the RIAA for sales of one million copies. Willie and The Mighty Magnificents provided most of the musical backing on the song and Burt Keyes created the string arrangement that was overdubbed onto the track while also playing piano on the recording session.



7/19/12

A cardboard arcade made by a 9-year old boy






http://cainesarcade.com/

9 year old Caine Monroy spent his summer building an elaborate cardboard arcade inside his dad’s used auto parts store, and invited the world to play.
A short film by Nirvan, produced by Interconnected.
Ways to Support the Caine’s Arcade Imagination Foundation:
  1. Donate to Caine’s Scholarship Fund (help us reach our $250k goal to receive a matching challenge grant.)
  2. Buy an official Caine’s Arcade STAFF shirt
  3. Download the Caine’s Arcade Theme Song
  4. Join our Caine’s Arcade School Curriculum Pilot Program for Inspired Educators
  5. Join: Caine’s Arcade on Facebook & Twitter + The Imagination Foundation on Facebook
  6. Share this film with friends!


see..... go...... to...... "friction free , ..."

http://wwaarrbblleess.blogspot.com/2012/07/burch-hynd-reef.html

trim, sub, trim...

































7/18/12

American Dream Faces Harsh New Reality

by Ari Shapiro


The American Dream has long evoked the idea that the next generation will have a better life than the previous one. Today, many Americans feel that dream is in jeopardy.
Enlarge H. Armstron Roberts/CORBIS The American Dream has long evoked the idea that the next generation will have a better life than the previous one. Today, many Americans feel that dream is in jeopardy.
text size A A A
May 29, 2012
The American Dream is a crucial thread in this country's tapestry, woven through politics, music and culture.
Though the phrase has different meanings to different people, it suggests an underlying belief that hard work pays off and that the next generation will have a better life than the previous generation.
But three years after the worst recession in almost a century, the American Dream now feels in jeopardy to many.
The town of Lorain, Ohio, used to embody this dream. It was a place where you could get a good job, raise a family and comfortably retire.
"Now you can see what it is. Nothing," says John Beribak. "The shipyards are gone, the Ford plant is gone, the steel plant is gone." His voice cracks as he describes the town he's lived in his whole life.
"I mean, I grew up across the street from the steel plant when there was 15,000 people working there," he says. "My dad worked there. I worked there when I got out of the Air Force. It's just sad."
Uniquely American
The American Dream is an implicit contract that says if you play by the rules, you'll move ahead. It's a faith that is almost unique to this country, says Michael Dimock of the Pew Research Center.
"When Germans or French are asked the same questions about whether it's within all of our power to get ahead, or whether our success is really determined by forces outside our control, most German and French respondents say, 'No, success is really beyond our control,' " Dimock says.
In the wake of the recession, that sentiment is now growing in this country.
"I think the American Dream for the average man doesn't exist any more," retiree Linden Strandberg says on a recent visit to the Smithsonian American History museum in Washington, D.C.
The Strandberg family story has been repeated millions of times in the last century. His parents immigrated from Sweden in the 1920s for economic opportunity. Linden grew up and worked at the phone company in Chicago for 35 years.
"I wasn't smart enough to go to college, so I wanted to get a steady job with decent pay," he says. "With my overtime I was able to buy a house, take trips to Europe and visit relatives there. I don't think a young person — woman or man — coming out of high school now could ever achieve that."
This sense that the contract is threatened intrigued political scientist John Kenneth White of Catholic University. "We have a lack of confidence by many Americans in the future of the country," says White, who edited a collection of essays called The American Dream in the 21st Century.
This crisis of confidence is not just because the economy is bad. In fact, the American Dream flowered at a time when the economy was at its worst.
"If you go back to the Great Depression where the American Dream originated as a concept, strikingly enough, there was still hope and optimism about the future," White says.
A Long History Of Optimism
In 1931, author James Adam wrote a book with the working title The American Dream. Ultimately it was retitled The Epic of America. Historians say that text marked the American Dream's emergence into the spotlight.
Yet the underlying themes had been bubbling up through the American psyche for much longer. In 1925, F. Scott Fitzgerald opened his iconic novel The Great Gatsby with these lines:
In my younger and more vulnerable years, my father gave me some advice that I've been turning over in my mind ever since. Whenever you feel like criticizing anyone, he told me, just remember that all the people in this world haven't had the advantages that you've had.
The American motifs of growth and optimism even stretch back as far as the Constitutional Convention.
"The chair in which Washington sat had a sun, and the question was asked, is it rising or setting?" White says. "And the framers answered that question by saying it's a rising sun."
At that time, the American Dream was not available to everyone in the country. Black people were kept as slaves. Women were not allowed to vote or own property.
The story of the 20th century is one of the American Dream gradually being extended to more of the population.
Composer Aaron Copland, a gay Jewish son of immigrants, captured the expansive optimism of the American Dream in 1942, in his "Fanfare for the Common Man."
Six years later, the gospel singer Mahalia Jackson expressed her faith that blacks will "Move on Up a Little Higher." The single became an overnight sensation — the best-selling gospel record to date.
In 2009, President Obama looked back across those decades as he took the oath of office. He described his inauguration as a fulfillment of the American Dream, where "a man whose father less than 60 years ago might not have been served at a local restaurant can now stand before you to take a most sacred oath."
While Obama embodies the American Dream in a powerful and specific way, this is a theme that every president and would-be president adopts in some fashion.
On the campaign trail, GOP presidential candidate Mitt Romney talks about how his father grew up poor. "Only in America could a man like my dad become governor of a state where he once sold paint from the trunk of his car," he says.
"Only in America" is a universal phrase in domestic politics. The challenge for politicians today is to convince Americans that the phrase still applies — that hard work and dedication still guarantee success.
Skepticism Grows
That faith is faltering, especially among the poor, says pollster Dimock. "Lower income whites and lower income African-Americans are more skeptical about the American Dream. Higher income blacks are pretty optimistic about the American Dream, as are higher income whites."
As cynical as this may seem, the numbers suggest that the people most likely to believe in the American Dream today are those who've already attained it.
"There's a certain truth to that," Dimock says. "There are people struggling. And what you're seeing especially right now are people who feel like they played the game the right way, like they did what they were supposed to do, and the rules they thought they could play by and be OK have changed on them somehow."
Economic statistics validate those feelings. According to the Census Bureau, an average man working full time made 10 percent less money last year than he did a decade ago.
The question for this country is, can the dream be restored? And if it can't, what does that mean for our identity as Americans? Or, as the poet Langston Hughes put it, "What happens to a dream deferred?"

http://www.npr.org/2012/05/29/153513153/american-dream-faces-harsh-new-reality

7/16/12

ug

Icon Meaning
>:] :-) :) :o) :] :3 :c) :> =] 8) =) :} :^) :っ) Smiley or happy face,[1][2][3] a version without colon is common in Russia, presumably[citation needed]
>:D :-D :D 8-D 8D x-D xD X-D XD =-D =D =-3 =3 8-) :っD Laughing,[1] big grin,[2][3] laugh with spectacles[4]
:-)) Very happy[4]
>:[ :-( :(  :-c :c :-<  :っC :< :-[ :[ :{ >.> <.< >.< Frown,[1][2][3] sad[5]
:* Kiss
:-|| :@ Angry[4]
D:< D: D8 D; D= DX v.v D-': Horror, disgust, sadness, great dismay[2][3]
>;] ;-) ;) *-) *) ;-] ;] ;D ;^) Wink,[1][2][3] smirk[6]
>:P :-P :P X-P x-p xp XP :-p :p =p :-Þ :Þ :-b :b Tongue sticking out, cheeky/playful,[1] blowing a raspberry
>:o >:O :-O :O °o° °O° :O o_O o_0 o.O 8-0 Surprise, shock[1][6]
>:\ >:/ :-/ :-. :/ :\ =/ =\ :S Skeptical, annoyed, undecided, uneasy, hesitant[1]
:| :-| Straight face[2] disgusted, grim, no expression, indecision,[5] strict[4]
>:X :-X :X :-# :# :$ Sealed lips, embarrassed, blush[1]
O:-) 0:-3 0:3 O:-) O:) 0;^) Angel,[1][2][6] innocent
>:) >;) >:-) Evil[2]
o/\o ^5 >_>^ ^<_< High five[7]
|;-) |-O Cool,[5] bored/yawning[6]
}:-) }:) Devilish[5]
:-& :& Tongue-tied[5]
#-) %-) %) Partied all night, drunk, confused[5]
:-###.. :###.. Being sick[5]
:'-( :'( :'-) :') Crying, tears of happiness[5]
QQ Crying[6]
<:-| Dumb, dunce-like[6]
ಠ_ಠ Look of disapproval.[8] The Unicode character ಠ is from the Kannada alphabet and can be called differently in HTML notation: &#3232; and &#x0CA0; (for Unicode).
<*)))-{ Fish, something's fishy[6]
*\0/* Cheerleader
@}-;-'--- @>-->-- Rose[1][6]
~(_8^(I) Homer Simpson[6]
5:-) Elvis Presley[6]
//0-0\\ John Lennon[6]
*<|:-) Santa Claus[9]
=:o] Bill Clinton[9]
,:-) 7:^] Ronald Reagan[9]
(/:=( Adolf Hitler
}

Eastern

Eastern emoticons generally don't require tilting the head to read, and with the inclusion of non-Latin characters allow for additional complexity.
Icon Meaning
(>_<) (>_<)> Troubled[10][11]
(';') Baby[10]
(^^ゞ (^_^;) (-_-;) (~_~;) (・。・; (・_・;) (・・;) ^^; ^_^; (#^.^#) (^ ^;) Nervous, embarrassed,[10] troubled, shy,[11] cold sweat[4]
.。o○ ○o。. Bubbles[10]
<コ:彡 Squid[10]
(^。^)y-.。o○ (-。-)y-゜゜゜ Smoking[10]
(-_-)zzz Sleeping[10]
(^_-) (^_-)-☆ Wink[10]
((+_+)) (+o+) (゜゜) (゜-゜) (゜.゜) (゜_゜) (゜_゜>) (゜レ゜) Confused[10]
(o|o) [10]
<(`^´)> [10]
(゜o゜) (^_^)/ (^O^)/ (^o^)/ (^^)/ (≧∇≦)/ (^o^)丿 ∩( ・ω・)∩ ( ・ω・) Joyful[10][11]
(__) _(._.)_ _(_^_)_ <(_ _)> <m(__)m> m(__)m m(_ _)m Kowtow as a sign of respect, or dogeza for apology[10][11]
(_0_) (*^_^*;) Sorry[4]
(゜゜)~ Tadpole[10]
( ^^) _U~~ ( ^^) _旦~~ Cup of tea[10]
☆彡 ☆ミ Shooting star[10]
\(゜ロ\)ココハドコ? (/ロ゜)/アタシハダアレ? "Where am I?", "Who am I?"[10]
>゜)))彡 (Q )) ><ヨヨ (゜))<< >゜))))彡 <゜)))彡 >゜))彡 <+ ))><< <*)) >=< Fish[10]
('_') (/_;) (T_T) (;_;) (;_; (;_:) (;O;) (:_;) (ToT) (T▽T) Sad, crying[10][11]
(ー_ー)!! (-.-) (-_-) ( 一一) (;一_一) Shame[10]
C:。ミ Octopus[10]
(=_=) Tired[10]
~>゜)~~~  Snake[10]
~゜・_・゜~  Bat[10]
(=^・^=) (=^・・^=) =^_^= Cat[10]
(..) (._.) Looking down[10]
^m^ [10]
(・・? (?_?) Confusion[10]
(^o^;>) "Pardon!"[4]
>^_^< <^!^> ^/^ (*^_^*) §^。^§ (^<^) (^.^) (^ム^) (^・^) (^。^) (^_^.) (^_^) (^^) (^J^) (*^。^*) ^_^ (#^.^#) (^-^) Normal laugh[4][10]
(^^)/~~~ (^_^)/~ (;_;)/~~~ (^.^)/~~~ ($・・)/~~~ (@^^)/~~~ (T_T)/~~~ (ToT)/~~~ [10]
●~* Bomb[10]
(V)o¥o(V) [10]
\(~o~)/ \(^o^)/ \(-o-)/ ヽ(^。^)ノ ヽ(^o^)丿 (*^0^*) Excited[4][10]
(*_*) (*_*; (+_+) (@_@) (@_@。 (@_@;) \(◎o◎)/! [10]
(-_-)/~~~ピシー!ピシー! [10]
 !(^^)! [10]
(*^^)v (^^)v (^_^)v (^▽^) (・∀・) ( ´∀`) (⌒▽⌒) (^v^) (’-’*) Laughing,[10][11] normal laugh[4]
(~o~) (~_~) [10]
(^^ゞ [10]
(p_-) [10]
(-"-) (ーー゛) (^_^メ) (-_-メ) (`´) (~_~メ) (--〆) (・へ・) <`~´> <`ヘ´> (ーー;) Worried[10][11]
(^0_0^) Eyeglasses[10]
( ..)φメモメモ φ(..)メモメモ [10]
 :-P :-O |:3ミ :-> 8-< :-) :-< :( :-( :) :| :-| [10]
(●^o^●) (^v^) (^u^) (^◇^) ( ^)o(^ ) (^O^) (^o^) (^○^) )^o^( (*^▽^*) Happy[10][11]
( ̄ー ̄) Grinning[11]
( ̄□ ̄;) Surprised[11]
(*´▽`*) (*°∀°)=3 Infatuation[11]
( ゚ Д゚) (゜◇゜) Shocked, surprised[11]
(* ̄m ̄) Dissatisfied[11]
ヽ(´ー`)┌ Mellow[11]
(´・ω・`) (‘A`) Snubbed or deflated[11]
(*^3^)/~☆ Blowing a kiss[12]
.....φ(・∀・*) Studying is good[12]
キタ━━━(゜∀゜)━━━!!!!!  "It's here", Kitaa!, a general expression of excitement that something has appeared or happened or "I orgasmed".[11]
_| ̄|○ STO OTZ OTL orz Despair. The "O" or "o" represents one's head on the ground, "T" or "r" forms the torso and "S" or "Z" forms the legs.[11]