12/30/09

Idris Muhammed

b. Leo Morris, 13th November, 1939, New Orleans, Louisiana, U.S.A.

Idris Muhammed was born Leo Morris in New Orleans in 1939, (taking this name from an Islamic prophet).

Idris became a professional when he was 16, establishing himself as a top-class session drummer / percussionist during the '50's.

During this time he performed with rock & roll singer Larry Williams while also recording on hits including 'Raindrops' (Dee Clark) and 'Chapel Of Love' (The Dixie Cups).

In 1961 he became the drummer personally requested by Sam Cooke, and worked in both New York and Chicago, hooking up with Curtis Mayfleld to be the drummer on 'People Get Ready' (The Impressions) and 'Keep On Pushing' (Jerry Butler) amongst others.

He played primarily soul and R & B during 1962-64 and then spent 1965-67 as a member of Lou Donaldson's band.

(Alligator Boogaloo (1967) Personnel: Melvin Lastie (cornet), Lou Donaldson (alto sax), George Benson (guitar), Lonnie Smith (organ), Leo Morris (drums) GET IT HERE!

(note; these, in my opinion are his best years)

Idris was the house drummer at Prestige Records (1970-72), appearing on many albums as a sideman.

He later played drums with Emerson Lake & Palmer and Roberta Flack while taking on session work for the CTI label in New Jersey.

The company's subsidiary label Kudu signed him as a solo artist, his debut album theere being 'Power Of Soul' (1974), featuring Bob James and Grover Washington Jr.

In 1977 he made his greatest impact on the UK jazz funk scene with a Kudu album 'Turn This Mutha Out', including 'Could Heaven Ever Be Like This'.

Idris later recorded albums including 'Make It Count', 'Boogie To The Top', 'House Of The Rising Sun' and 'For Your Love' (1980) for the Prestige / Fantasy labels.

Many of the other artists that he worked with included playing with Johnny Griffin (1978-79), Pharoah Sanders in the 1980's, George Coleman and the Paris Reunion Band (1986-88

12/29/09

Lomo Kitty

The Man is NO FUN!

San Diego plans to remove fire pits like this one on Ski Beach, to save money. Opponents of the plan say part of the city’s soul will be extinguished as well.

By RANDAL C. ARCHIBOLD NY Times Published: December 27, 2009

SAN DIEGO — Families, students, newlyweds, mourners — beachgoers of all sorts — toast themselves and marshmallows around blazing fires in pits that dot beaches and shoreline parks here.

“In a city this big,” said Steve West, stoking the flames of his fire one recent evening, “this is what makes a place like this special.”

Now, throw another log on the bonfire of budget casualties. San Diego officials have decided to remove the fire pits — and, their partisans lament, a slice of the city’s soul as well — to help close a $179 million budget deficit.

When it comes to beach culture, San Diego has long prided itself on being just a little different from other towns, especially the big ones up north that hog all the attention.

You can no longer drink alcohol on the beach here (it was banned last year) or smoke (snuffed three years ago). But the fire pits, though gradually diminished from 450 in the early 1990s to 186 now, remain embedded in the sand and the local culture.

“Bonfire, surfing, I grew up doing that,” said John Johnston, 48, as he stewed over the city’s plans by a fire with a few fishing buddies.

The city, which says it spends about $121,000 a year cleaning and maintaining the pits, has also trimmed library hours, scheduled 200 layoffs and made other cuts. But the prospect of extinguishing a beloved tradition has ignited some of the loudest passion.

A Facebook cause with more than 4,000 members has emerged. A Web site, Save the Fire Pits of San Diego, is also seeking to rally the faithful. The OB Rag, a blog devoted to the city’s Ocean Beach neighborhood, is trying to galvanize residents to “adopt” the eight or so pits there, the way groups sponsor highway cleanups. And a community group in La Jolla, another section of the city, hopes to raise money to keep all the pits in place.

“What’s it going to be next?” asked Hans Baumgartner, a founder of the fire pits Web site. “They keep saying other cities have done it. We’re not other cities. We’re San Diego.”

Last year’s budget was bad, too, but an anonymous donor came through with money to keep the fire pits in place until next June. The city has received about $1,600 this time around, far short of the amount it says it needs to maintain the pits.

“There is no more low-hanging fruit here,” Stacey LoMedico, the city parks director, said of the decision to remove the pits in July.

The state parks department, suffering its own fiscal woes, also plans to remove fire rings at several beaches, though an informal tally by beachcalifornia.com shows that 29 of 108 state parks with beaches still allow them. Newport Beach, north of here in Orange County, backed off a plan last year after a public outcry similar to the one here.

But so far, the City of San Diego is not budging. Ms. LoMedico called removing the fire pits a “very tough decision” but noted that people could still bring their own grills to the beaches, something veteran roasters say is just not the same as a blaze in the 5-foot-by-5-foot, 15-inch-deep pits.

Cleaning the pits, she said, is a meticulous and labor-intensive job, in part because the sand sullied by the fires is deemed hazardous waste. Every week, a front-loader lifts the 2,000-pound pit casings, workers scrape and scrub off the sand and carry off the after-party detritus — charred wood, broken glass, partly cooked meat, trash. One longtime beach observer said he once saw a couch aflame in a pit.

The pits, Ms. LoMedico said, are simply a low priority in a city stuck in economic doldrums.

Aside from the recession, which has dampened the housing market and tourism and the tax dollars they spawn, the city is still coping with the aftershock of a mismanaged municipal pension fund in the early years of the decade that left its finances in disarray.

As the pits have dwindled, the romanticizing of them seems to grow, but even supporters admit they are not always the source of wholesome fun.

Other cities that have scaled back or gotten rid of their pits have said they present safety problems to passers-by who might trip over them or get burned by leftover embers.

Bonfire parties here can get loud and rowdy, and a few pit supporters said they suspected that the city was using the budget problems as cover for getting rid of an occasional nuisance. The matter may end up before the California Coastal Commission, a state panel with extensive powers over beach use and access that is not always friendly to municipal governments.

The commission sent a letter to San Diego officials advising that the commission might need to issue a permit for the pits to be removed; city officials plan to take up the matter with the commission’s staff members early next month.

The commission, known for lengthy study before rendering decisions, could demand hearings. Some supporters of the fire pits suggest such a public airing of the plan might expose what they consider the city’s inflated cost estimates and failure to consider alternatives to removal, like only cleaning the pits during peak use in the summer.

Regardless of the outcome, some find the whole debate disheartening.

“San Diego,” Mr. Johnston said, “is just much less fun.”

Via south willard

12/28/09

Lights On

Earthlings are Born When a Soul Arrives from Heaven.

Lloyd Miller’s Oriental Jazz – “an intense echo in an unfamiliar key”

Think of oriental jazz and titans like Don Cherry or Tony Scott might spring to mind. Unless you’re a serious collector, or have had your ears pricked by the incredible ‘Gol-e Gandom’ on the recent 'Spiritual Jazz' compilation on the Jazzman label, the name of Lloyd Miller will probably elude you. Where others dabbled Miller went deep to the source, traveling from his home in California to Tehran in 1959 where his total absorption in Persian music and culture resulted in some of the deepest and most prescient jazz of the period. However, whether it was scraping a living around the basements of Paris in the early 60s or having just 300 copies of his classic ‘Oriental Jazz’ LP pressed, Miller was never given the acclaim he deserved. Always working outside the mainstream, Miller was in the words of critic Francis Gooding “an intense echo in an unfamiliar key”. His complete immersion in the music of the East set him apart from other modal jazz voyagers, and it is perhaps this dedication to his art that has left Miller in the shadows. As he explains in “Music and Song In Persia”, the journey of the musician should be towards an ‘interior’ spiritual light rather than the ‘exterior’ of critical acclaim. “I don’t care if anyone ever knows Lloyd Miller,” he says. “If they can just feel a spark of joy from something I have recorded”. partly inspired by http://and-a-half.blogspot.com/ In 1957, Miller went with his family to Iran where he stayed for a year before leaving for Europe to find his fate as a jazzman. In 1963, Miller returned to the U.S. after enjoying success with the famous Jeff Gilson band in Paris and began study at BYU in Utah. After successful years in the jazz scene in Utah including winning Intercollegiate Jazz Festival composer / Aranger trophies for three consecutive years, during this time Miller was invited to perform at the famous first Woodstock Festival and the Phillidelphia Folk Festival. Controversial post title taken from Polytheism.

12/27/09

Brothers

Blues Run The Game

Unless you’re a connoisseur of folk music, have seen Vincent Gallo’s movie The Brown Bunny, or have frantically searched the influences of Devendra Banhart, you’ve probably never heard the absolute beauty of singer-songwriter Jackson C. Frank’s music. To be honest, I have to claim the last two of these references as my path to discovering one of the ‘60s greatest forgotten folk treasures.

Since becoming familiar with his music, I’ve learned that Frank, who died in 1999, had a sad life of pain and loss; both mentally and physically. Frank was severely burned during a tragic fire at his elementary school at the age of 11, and for the rest of his life was left scarred in more ways than one. He always had a sense of insecurity, but managed to write a short list of beautiful songs and influenced a long list of performers before living a life of recluse on the streets, and in the mental hospitals of New York City.

Blues Run the Game is a perfect album in every sense. As far as folk records go, I’ve heard nothing better. It’s full of melancholy and beauty, and is a completely essential exercise in folk music. Produced by Paul Simon and recorded in less than three hours, each track contains pristine sounds of acoustic guitar and gentle vocals. It makes you feel like this is the mold that others have tried to imitate ever since. Many have covered Frank’s songs, such as the illustrious Nick Drake and Sandy Denny (Denny was also Frank’s girlfriend for a short period of time. Although Denny is more recognized than Frank, it’s impossible not to see he was as big an influence on her work as just about anyone else).

The title track, "Blues Run the Game," has been accepted by Frank’s fans as his most identifiable and significant song, written during one of the only times things seemed to be going well in his life. He had just received a small fortune of insurance money from his fire accident and began a journey to England. It was there that he became completely engaged with writing folk music.

The stand out song on the album is "Milk and Honey," with its solemn beauty epitomizing everything that is simple and perfect about the state of music in the mid-’60s. The songs have an uncanny ability to paint images in my head of childhood and remind me of an innocence long left behind.

For the longest time, you couldn’t find a copy of Blues Run the Game. Over the past decade, however, several labels have re-issued the album for an ever-growing fan base. If you own any folk record, and don’t have this in your collection, consider this an insightful plea. It’s nice to see so many people slowly going back in time to revisit some of the lost treasures that have fallen to the wayside. And although our timing might be too late to show him some support, hopefully the love for Jackson C. Frank’s music that was left behind is just beginning for a new generation.

by Amneziak

1. Blues Run the Game 2. Don’t Look Back 3. Kimble 4. Yellow Walls 5. Here Come the Blues 6. Milk and Honey 7. My Name is Carnival 8. Dialogue 9. Just Like Anything 10. You Never Wanted M.

DL Thank you Wayne (Record Vacuum) Nick Drake covers Frank

12/26/09

Pig Pig

12/25/09

Liddle Lift Off

24....

An Advent calendar is a special calendar which is used to count or celebrate the days of Advent in anticipation of Christmas. Some calendars are strictly religious, whereas others are secular in content. Today, most advent calendars are made for children. Many take the form of a large rectangular card with many "windows", one of which is opened every day during Advent. In less elaborate calendars, each window opens to reveal an image, a poem, or part of a story . More elaborate Advent calendars have a small gift concealed in each window, such as a toy or a chocolate item. I used to love these. On magnets on our refrigerator. via Wayne. (thanks)

12/24/09

If you Can't Adopt...You CAN still help!

In the greater Los Angeles County shelters alone an average of 475 pets are euthanized daily. Four million cats and dogs—about one every eight seconds—are put down in U.S. shelters each year.(learn more) There just aren't enough homes for them all. Our goal is to help provide animals a second chance to a happy life and to help reduce pet overpopulation. We save dogs in need and provide them with care and foster homes while they await adoption. We carefully match these pets to new loving and responsible owners. We also try to educate the public on how to be responsible pet owners and on the importance of spaying and neutering. We believe the real solution to pet overpopulation is through spaying and neutering pets. And if you think its ok to breed your little "Fluffy" because she's a purebred, please be aware that over 25% of the animals at shelters are purebreds. HERE IS WHAT YOU CAN DO INSTEAD OF BUYING STUPID TRINKETS WE DON'T NEED ANYWAY! (and also selfishly get a good feeling) Go HERE. or straight to PayPal. The littlest amount can save a life and take care of all the people you need gifts for and at the same time make them feel good for doing THEIR part! Please help our dogs by donating what you can! Please help our dogs by donating what you can!

Fast Facts On Dog and Cat Adoption: Why Adopt?

  • Did you know that an estimated 4 million adoptable dogs and cats are euthanized each year primarily due to pet overpopulation? Did you know that 25-30% of dogs for adoption in animal shelters are purebred? The other 70-75% are of course, lovable, wonderful, mixed-breed pets just waiting for a chance to be your new friend.
  • In an effort to help people make good choices when they adopt a dog or cat, many animal welfare agencies and pet rescues provide adoption counseling to help match you up with a pet for adoption.
  • If you have your heart set on a specific breed, before you check out a dog breeder or pet store, why not adopt a pet from a breed rescue organization? Breed rescues are groups that specialize in a particular breed of dog or cat.
  • Don't be fooled into thinking that animal shelters and pet rescues are filled with dogs or cats that were discarded because they're "bad."
  • Shelter pets for adoption are wonderful companions who became victims of family tragedy or unlucky circumstances.
  • Did you know that many mixed-breed pets have less inbreeding, generally less inherited genetic disease, and therefore overall lower vet bills? The best place to find a mixed-breed dog or cat is from an animal welfare agency, foster network or animal control facility.

12/23/09

Go tell it on the mountain

The U2 guitarist is lining up political muscle and environmentalist star power to support constructing his eco-friendly castles on a pristine ridge near Malibu. What's greener? Not building at all.

Darkness At The Edge Of Town

Lomo Love

A Link in the Chain

Pete Seeger: "Imagine a big see-saw, with a basketful of rocks sitting on one end. That end is down on the ground. At the other end, up in the air, is a basket half full of sand. Some of us are trying to fill it, using teaspoons. Most folks laugh at us: “Don’t you know the sand is leaking out even as you put it in?” We say that’s true, but we’re getting more people with more teaspoons all the time. One of these days that basket of sand will be full and you’ll see this whole see-saw just tip the opposite way. People will say, “Gee how did it happen so suddenly?” Us, and our goddam teaspoons." Recorded between 1961 & 1971. Includes liner notes by Dave Marsh. The two-disc, 38-track compilation A LINK IN THE CHAIN splits Pete Seeger's long and prolific career into two thematic sections. Disc one collects many of Seeger's best-known topical songs and social anthems, opening with the Dust Bowl ballad "My Oklahoma Home Blowed Away" and ending with the passionate civil rights anthem "We Shall Overcome." Even decades after these songs were recorded, they still wield remarkable power, particularly the allegorical "Waist Deep in the Big Muddy" and the hymn-like "Turn! Turn! Turn!" Disc two features ballads and story songs based on figures both historical ("Aimee Semple McPherson," "Pretty Boy Floyd") and mythical ("Jesse James," "Belle Starr"), as well as a handful of traditional ballads such as "The Cowboy's Lament" and "Cumberland Mountain Bear Chase" and singalong standards like "This Land Is Your Land" and "Michael Row the Boat Ashore." It's the easier listen, perhaps, but it's no less impassioned. (note; Arlo Guthrie's version of 'Livin' in the Country' is great and soon will be appearing here.) Personnel: Pete Seeger (vocals, guitar, banjo); Fred Hellerman, Ramblin' Jack Elliott (vocals, guitar); Ed McCurdy (vocals, banjo); Sandy Bull (vocals). Full track listing and listen to all tracks Download; ................ 1 ................ 2 ................. 3 ................. 4 via If you don't know Pete; (shame, shame, but here ya go) Perhaps no single person in the 20th century has done more to preserve, broadcast, and re-distribute folk music than Pete Seeger, whose passion for politics, the environment, and humanity have earned him both ardent fans and vocal enemies since he first began performing in the late '30s. His never-ending battle against injustice led to his being blacklisted during the McCarthy era, celebrated during the turbulent '60s, and welcomed at union rallies throughout his life. His tireless efforts regarding global concerns such as environmentalism, population growth, and racial equality have earned him the respect and friendship of such political heroes as Martin Luther King, Jr., Woody Guthrie, and Cesar Chavez, and the generations of children who first learned to sing and clap to Seeger's Folkways recordings must number in the millions. Rising above all of Seeger's political ideals and his passion for authentic folk music is his clear voice and chiming banjo which both sing out with a clarity that rings true.

12/22/09

It Takes Nothing For You To give!

This is Left Eye!

Find out more about him here!

PLEASE PASS THIS ON!!!!! ONE CLICK FEEDS AN IN NEED ANIMAL AND COSTS YOU NOTHING! NO REGESTERING, NO MAIL FROM ANYONE. YOU ARE ANONYMOUS ! there is no reason not to do this! PRESS HERE to give free food and care! About The Animal Rescue Site

The Animal Rescue Site focuses the power of the Internet on a specific need — providing food for some of the eight million companion animals relinquished to shelters in the U.S. every year. Over four million animals are put to death each year in the U.S. because they are abandoned and unwanted.

Each click on the purple "Click Here to Give - it's FREE" button at The Animal Rescue Site provides food and care for a rescued animal living in a shelter or sanctuary. Funding for food and care is paid by site sponsors and distributed to animals in need at the Fund for Animals' and supported by the Petfinder Foundation .

100% of sponsor advertising fees goes to our charitable partners.

The Guardian

I Am Small

Forge Your Own Chains

Granted I'm always late to the game onthe music search and if it was not for sites like And A Half, Transafixion and others, I'd be posting way to much we've all heard. (this does not mean the occasional Nugent post will be forgotten! (stoners be calmed) so now.... This compilation introduces a new direction for Now-Again Records and its owner, Stones Throw Records GM, A&R and producer EGON. With the same detailed, no-stone-unturned approach he used for Deep Funk (The Funky 16 Corners, Cold Heat), he tackles beat-heavy global psychedelia with Forge Your Own Chains. Forge Your Own Chains showcases music from all corners of the world: Colombia, Nigeria, Sweden, South Korea, Thailand and Iran. The focus—in keeping with Now-Again’s tradition—is on melody, driving rhythms and accessibility. Not one song is included on this compilation because it is from a “rare” album. Certainly, many of these songs do spring from albums that exchange hands for many thousands of dollars and many of these songs have never seen reissue. But these songs are all beautiful in their own right and work to form a coherent album. Listen to all samples and buy CD, LP, MP3 here. or...go below to 3 cuts of youtube listening. Buy and support these nutty freaks. I'm sure they can use it. (if they still own "rights") Digipak CD package includes 40-page full color booklet with detailed liner notes, annotation, photos and ephemera. Gatefold 2/LP includes all liner notes. Physical purchase comes with the bonus 7-inch single Forge Your Own Chains 45, by Guilty Simpson, Oh No, J.Rocc and Egon, while supplies last. Much Much thanks to the uber blog And A Half. (Quite a classy joint) Sensational Saints - How Great Thou Art ------------- Hooker - I'm Leaving You [Man Ray Clip Shin Jung Hyun - Twilight (Ft. Jang Hyun)

12/21/09

Open Wide

Soft Moods

Shortest Day 2009

Today is the winter solstice and the first day of winter in the Northern Hemisphere. It's all due to Earth's tilt, which ensures that the shortest day of every year falls around December 21. Winter Solstice 2009: Facts on Shortest Day of the Year

Section 25

Happy Holidaze

12/20/09

Psych-Funk 101

"Psych-Funk 101 introduces the global phenomenon of psychedelic funk music, covering the golden years (1967-1980). This compilation focuses not on American and British bands but on the bands throughout the Global Village that were influenced by the likes of James Brown, The Meters, Sly and The Family Stone, Booker T and The MGs and The Bar Kays and unsung rhythmic forces such as drummers Bernard Purdie, Idris Muhammad, Earl Palmer, bassists such Carol Kaye and Jimmy Lewis. This compilation features bands who took that energy and combined it with the flair of psychedelic-rock musicians such as Jimi Hendrix and the ensemble known as Cream - as well as pop-rock acts taken by the experimental side of psychedelia such as The Beatles. But the global psych-funk bands added their own, unique cultural flourishes and the result is mind-bending." Awesome! Download

12/19/09

Roots

Promo Film by Charles and Ray Eames

stolen from http://jsmartfilms.com/home.html

12/18/09

....

12/17/09

( % )

The Orangutan and the Hound

Watch more National Geographic Channel videos on AOL Video

12/16/09

Starbound

Morgan Maassen:

A multi talented, wise-beyond-his-years photographer and Santa Barbara native; shooting water housing, film, and all sorts of video formats. (PCP)

You can also find him working close with the young talent over at Point Concepts.

http://bogustard.blogspot.com/